Showing posts with label Kenneth Lonergan. Show all posts
Showing posts with label Kenneth Lonergan. Show all posts

Sunday, February 8, 2009

Don't Tempt Me



The 20 Most Tempting Titles of 2009

(#16-20)

(And for others 2009 temptations check out the countdown happening at Film Experience. Not because I'm participating in it, but because it's probably a lot more informative than anything you'll find here.)


(16) Margaret
Director: Kenneth Lonergan
Starring: Matt Damon, Anna Paquin, Matthew Broderick, Mark Ruffalo, Kieran Culkin

You can't really rely on You Can Count On Me director Kenneth Lonergan. That indie masterpiece debut came all the way back in 2000 and the man hasn't given us a film since. Those are some big shoes to fill a big decade later, but thankfully they're his own shoes so the possibilities are endless.

Lonergan's got Broderick and Ruffalo along for the ride once again. They're joined by Anna Paquin for this tale of a girl's unlucky rendezvous with fate after witnessing a car accident brings her life to a screeching halt. I'm hoping Lonergan's script feels as lived in as it should after all those years in preparation, and if that first film's success is any indication, we'll be getting some really resonant and affecting human drama.

Is everyone on set fucking Matt Damon?
(Top: Bourne Ultimatum, Bottom: Margaret)

Fun (related) Fact: Apparently you can hire any Culkin kid for any event. This time Lonergan's hired Kieran Culkin, instead of lil' Rory Culkin. But that does mean Rory's free for your kid's Bris. Macaulay's probably just at home alone.

(17) Drag Me to Hell
Director: Sam Raimi
Starring: Alison Lohman, Justin Long

Sam Raimi may have done fanboys well with his Spiderman films, but what about the horror buffs of his gory glory days? Well...(holding back tears) maybe he hasn't forgotten about us...

His latest sounds like a senseless, slapstick slaughterhouse to bring back all the fondest memories of the Evil Dead series. If this one's a success we'll probably see a lot more progress on Evil Dead 4, but it sounds like a great genre entry even without that humble attachment. For one thing it's not a remake and it's not playing on the level of "torture porn" (that phrase is so gratuitously overexposed it's painful). Besides, horror as a whole really needs to find the fun again. Fun like tree rape and corpses filled with milk and creamed corn.

The story is that Ali Lohman has to break a psychic's evil curse after she gives her a bad deal on a bank loan. People react differently in this economy...


(18) Inglourious Basterds
Director: Quentin Tarantino
Starring: Brad Pitt (mmm), Eli Roth (...), Maggie Cheung (!), Mike Myers (?)

Given the recent overflow of war movies, Tarantino's might seem less relevant than some, but it will definitely have more explicit violence, camera tricks and Maggie Cheung! This also cements the fact that Brad Pitt has to be the closest thing to a celebrity Jesus. Everyone loves him, including the continent of Africa. Everyone's attracted to him no matter how much they deny it, and he still backs up that whole delicious package with some well-chosen roles and performances. That and he's all over US Weekly.


The synopsis:
"In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers."

A movie theater in Paris? Naturally Tarantino found some way to make self-aware cinema references throughout his war epic, and that's why we love him. He consistently makes memorable cinema that loves memorable cinema. The long gestation on this project speaks of maybe some more personal Tarantino touches and probably some stunning spectacle. How will he top Kill Bill's House of Blue Leaves or Death Proof's rip-roaring car crash? The man's work is impeccable, and until he casts himself in the lead, we'll be just about square.



(19)
Bro
thers
Director:
Jim Sheridan
Starring: Jake Gyllenhaal, Tobey Maguire, Natalie Portman

Brothers feud when one goes missing in Afghanistan and the other takes up with his wife. A purple heart won't heal that wound! Sounds a little Legends of the Fall but with, most importantly, Jake Gyllenhaal having sex with things. That's more than enough to merit a spot on this list, and it's far more enticing than his whole excursion to Persia -- not that I won't be along for that trip and every available photo op.


War movies can be a snore, but with Jake and Tobey, I'll be awake for every open-shirt musket wound. They still use muskets, right?

(20) Lovely, Still
Director: Nik Fackler
Starring: Ellen Burstyn, Martin Landau, Elizabeth Banks, Adam Scott

If I'm just being honest... I was on set for this one during filming, and most importantly had Ellen Burstyn take my hand and acknowledge my actual being! I also got to watch her dazzle and dig into character right before my very eyes, and I can tell you first hand that this nuanced performance should be one to watch for and give a second viewing. And you know me, I'm not one to put actors on a pedestal... other than when I do it daily as a blog.

"I have something I've wanted to ask you since the moment we met... Do you prefer paper or plastic?"

This small scale fable follows an elderly grocery sacker (Landau) and his first brush with romance just in time for the holidays. How about a collective "aww..." On any level it should be nice having any new Christmas film not involve dueling neighbors or Tim Allen. It's guaranteed sweetness with a few surprises along the way -- and has Ellen Burstyn ever shaken your hand and called you "Adam?" Didn't think so.


Fun (bitter) fact: Originally the supporting cast was said to be comprised of Paul Rudd and Winona Ryder! I would have orgasmically imploded on that set and thus they were replaced with Adam Scott and Elizabeth Banks. They're lovely too... but still.

Thursday, September 11, 2008

2009 and Beyond the Infinite: Part 2



A look into the films of the future.


Part 1 available here.


Dark Shadows
Release: 2010 (?)
Director: Tim Burton

The soapy sixties saga from creator Dan Curtis about time-shifting vampire Barnabas Collins and his dark legacy is always ripe to be drained of its blood. There was already the nineties' short-lived revival series, and this decade's botched teenage spin, but now it's Tim Burton's turn to revisit the Gothic mystery of Collinwood Manor. It sounds unexpectedly enticing! Naturally Johnny Depp's set for the lead, but this time it's as much about good casting as it is Burton's friendly obligation. The series had a tone of playful fantasy that can be Burton's specialty, although Big Fish and Charlie and the Chocolate Factory seemed like manufactured whimsy more than inspired streams of his imagination. See Edward Scissorhands or Beetlejuice for that. John August is writing the script and we can probably assume it will stick to the core story of Barnabas falling for the beautiful visitor Victoria Winters, who bears a striking resemblance to his long lost love Josette. It's all about witches, werewolves and Barnabas Fucking Collins! (John August is welcome to use that line in the film.) Burton's off doing his version of Alice in Wonderland first, also starring Johnny Depp, but we'll wait and see if he can recover some of that old black magic.

A natural progression.


Enter the Void
Release: 2009 (Cannes Film Festival)
Director: Gaspar Noé

If you've got a strong stomach or a substance abuse problem, this one's your golden ticket! Shocking and innovative French director Gaspar Noé (I Stand Alone) takes us on a psychedelic trip through the mind of a man on the brink of death. Noé says the film, which was recently completed in Tokyo, will be an exhaustive experience blending dreams, memory and startling streams of consciousness. He mentions his primary influence was the mind melding 2001: A Space Odyssey, which he already made direct connections to in the bold and controversial Irreversible. The trippy, "melodramatic" plot concerns a brother's efforts to save his sister while having a near death experience. It sounds radically visual with an inventive narrative, and there's no doubt Noé's got a little shock left in his system. Check out the film's striking poster art and more of Noé's thoughts here.

"Someone in here!"


Satisfaction
Release: 2009 (?)
Director: Miranda July

Me, you and everyone I know loved Miranda July's indie/performance art debut. Her follow-up is a modern romantic comedy that, according to Variety, "turns on a young couple: Jason, goes off on an ecological mission; Sophie starts an affair with an older man. Both events threaten the relationship." Some threads of the film might even connect to July's recent short story collection No One Belongs Here More Than You. Expect big heart, inoffensive quirk, and possibly some small kids chatting poetically about scat.

))<>((


Love and Other Impossible Pursuits
Release: 2009 (?)
Director: Don Roos

Am I actually looking forward to a movie starring Jennifer Lopez? To that I say, "Enough!" But then I look out the window and hell hasn't frozen over. It's just her good luck to be paired with a hilarious queer director and his perfect sardonic muse Lisa Kudrow. Don Roos, who gave us The Opposite of Sex and the undervalued Happy Endings, is back with another take on the perils and promise of modern relationships. According to the (far too spoilerish) synopsis here, the film follows an aspiring lawyer (Lopez) whose flirtation with a married senior partner (Jeffrey Dean Morgan) quickly spins into marriage, pregnancy, and dealing with a difficult stepchild. Did you just nod off? Well it takes some darker turns from there which sound like they'll definitely reap the heavy drama. It's based on a novel by Ayelet Waldman and could be more in keeping with Roos' 2000 feature Bounce. I'm not making this sound good at all... But Lisa Kudrow everybody!



Antichrist
Release: 2009
Director: Lars von Trier

Previously discussed here. While we wait on Washington and pray Nicole Kidman frees up her schedule, we get this equally drool-worthy prospect. Lars von Trier is fusing his notoriously horrifying take on humanity with a more genre-based horror. It's got a cabin in the woods, a demonic pregnancy and Willem Dafoe, all working their way under your skin. Do yourself a favor and gear up for this one by watching von Trier's miniseries spectacular The Kingdom (Riget). Because where else can you see Udo Kier's adult head emerging from a womb?

Rosemary had it easy.


Taking Woodstock
Release: 2009
Director: Ang Lee

Recently discussed here. I lust for any new Ang Lee film, devoid of caution that it could ever disappoint. (Covering my ears as you say The Hulk). Gay themes, Emile Hirsch and Jeffrey Dean Morgan! ...Oh, and something about music... or some kind of festival... maybe?

"Bring on shirtless Emile Hirsch! ...Oh, and the band. We should probably hear the band."


Margaret
Release: 2009
Director: Kenneth Lonergan

Kenneth Lonergan's second feature has been a long time coming. It was way back in 2000 that he warmed indie-loving hearts with the magnificent You Can Count On Me. Stars of that film Mark Ruffalo and Matthew Broderick (plus your standard Culkin kid) are joined by Matt Damon and Anna Paquin for this morality based drama. The film follows Lisa Cohen (Paquin), a high school student witness to a horrible traffic accident. She feels as though the tragedy may have inadvertently been her fault, and in efforts to make things right with herself she brings about complications with those around her. It sounds like another richly rewarding character piece from Lonergan, and if it's anything like his debut we can expect some wonderfully natural dialogue and subtly affecting humor.

She's too depressed to be fucking Matt Damon.


Part 3 coming soon.