Monday, October 6, 2008

Freaky Friday the 13th


"I hate you! I hate you! I hate you!
No, I didn't mean that. I love you.
I hate you!"


I don't have much time to discuss the latest and greatest Final Girl Film Club selection, William Castle's Strait-Jacket, but take this psychotic rambling as proof of my newfound love.

Writer Robert Bloch (Psycho) clearly has mother issues, or mother impersonation issues. The daughter, Carol Harbin, is like a Scooby Doo version of Norman Bates. If a boy's best friend is his mother, then a girl's best friend is her fiance's bank account, and the best insurance is her homicidal mother. The equal parts awesome and stupid Goosebumps-style ending isn't a total shocker, especially given the certifiable crazy-eye Carol sports in the opening scene. It must be genetic.


Strait-Jacket is a truly fun and schizo slice of schlock brilliance, and one must always appreciate Joan Crawford embracing her inner scary. Thankfully she listened to that voice in her head that told her to take this role against all better judgment. She's now part of the best mother/daughter duo I've seen since the Gilmore Girls, only Lucy and Carol Harbin's connection clearly goes much deeper.

Thursday, October 2, 2008

Laurie and the Terrible, Horrible, No Good, Very Bad Day


Halloween is remembered as "the night HE came home." It's remembered by Laurie Strode as "the longest fucking day of my life..."


It begins badly when Dad asks Laurie to run his errands: "Don't forget to drop the key off at the Myer's place." Sure it's on her way to school, but apparently he's above saying please. She should have stormed off screaming, "You're not even my real father!" Alas, we're getting ahead of ourselves.

On top of that Laurie's stuck babysitting tonight. Tommy Doyle's a sweet neighborhood boy who, let's be honest, is a bit of a dud. He's either your typical overexcited nine-year-old, or he's painfully neglected by his parents. "Can we make jack o' lanterns? Can we watch the monster movies? Will you read to me? Can we make popcorn?"


Bummer that Halloween's on a school day AND Laurie gets called on in class AND she forgets her chemistry book. Her good pal Lynda has no sympathy, "So who cares? I always forget my chemistry book and my math book, and my English book and my, let's see, my French book and.... Well who needs books anyway? I don't need books. I always forget all of my books! I mean it doesn't really matter if you have your books or not." Totally, Lynda. Totally.

As for pal Annie, Laurie's excitement over babysitting across the street from her is met with grade-A bitchery, "Oh terrific! I've got three choices: watch the kids sleep, listen to Lynda screw around or talk to you." Laurie could just about strangle them!


Then there's all those men who keep staring at Laurie from their station wagons, from behind bushes, from inside her laundry... Also those poorly timed prank phone calls from Annie. Laurie thinks it's Mr. Riddle, her 87-year-old neighbor. As she says, "He can still watch." Ironically it's far worse. That heavy breathing perv is actually her big brother, Mikey, although she doesn't know it yet.


Annie does one nice thing and gets Laurie high before they babysit, which should help to relax her nerves and make Tommy Doyle appear more fun than he actually is. Being stoned certainly won't help with that paranoia though... Especially when Annie stops the car and forces Laurie to interact with her father, the town Sheriff. Later she even pawns off little Lindsay Wallace onto Laurie so that she can get down and dirty with boyfriend Paul. What a bitch! "Totally." Take the reefer and run, Laurie.


Homecoming's also looming on the horizon. Everyone has dates, everyone's getting laid, and yet Laurie has to pick up the slack by babysitting for and acting as host to her fuck-happy friends. Laurie's not a prude, she's just selective. All she really wants is her chance with the crushable Ben Tramer. She's beautiful, smart, caring -- Ben could do a lot worse. If he acted quickly that is... A few hours from now THIS is Ben Tramer:


Everyone's entitled to one good scare, although Laurie gets about a hundred in the span of twenty minutes. She can't turn a corner without finding the corpse of a loved one! Not to mention she takes a painful stab to the arm AND a tumble over a second floor stair rail. She's due for a sit down, but the night's only just begun. There's still lots of running, lots of stabbing, and plenty of Nam-like flashbacks headed her way.


Reunited and it feels so good. "Was that the boogeyman?" No, silly, that's your brother! You're actually Laurie Myers. You wouldn't know that because the documents were sealed by the court after Michael murdered big sis Judith and you were then adopted by the Strodes. Laurie's one glimmering moment of the day is undercut by the fact that her new brother is actually a sociopath and unstoppable killing machine. Still, with the glass half full, it's cool to know someone in your family is bulletproof.

"...Can you hear me now?"

The American health care system is just awful. One only need look to Haddonfield Memorial Hospital for proof of that. With the dank hallways, drunk doctors and hot tubbing nurses, Laurie can't even get a proper recovery. No wonder there's no other patients! The only person interested in her well being is the kindhearted ambulance driver, Jimmy. He's got Laurie's best interest at heart, grabbing her a Coke and serving as the only person updating her on the mental patient that still wants her dead. Jimmy falls for Laurie instantly. Problem is, he falls a lot.


And there's nothing like being reunited with your long lost brother and blowing him up in the same day. It's all kinds of catharsis.


But then Laurie does take away a few good things from this strenuous, seemingly endless day. There's all the extensive exercise no doubt, but Laurie also realizes she's one hell of a shot! Who needs chemistry books when you have dead on accuracy without even looking.


Finally, Laurie gets to go home and rest. She kindly asks the ambulance driver, "Can't I ride in the front?" He says no. A bitter end to a bitter day.

So what has Laurie learned from all this? First rule of prostitutes and The Babysitter's Club: Get Paid in Advance. You just know Tommy Doyle's parents underpaid, if they paid at all. Babysitting will be the death of her yet!


Wednesday, October 1, 2008

Using the Public Men's Room with Virginia Madsen



"I hear you lookin' for Candyman, bitch!" Well you came to the right place. The month of October will be heavy on the horror here at Club Silencio... Because I'm creative like that.

So pay us a visit! And try to remember to wash your hands.

Tuesday, September 30, 2008

Reach Out and Touch Someone


"I feel like if somebody were to touch me I would dissolve into molecules."


I'm in an unusually romantic mood and nothing puts me there quite like Ethan Hawke and Julie Delpy in Before Sunrise/Before Sunset. Perhaps the greatest thing about the films is that, amongst all of Jesse and Celine's sweet musings on life and love, it's actually the wordless moments that express their connection most profoundly. Whether it's the lingering ascent up a staircase in hopes of missing a plane, or the battling gazes in a record booth, it's such palpable romantic perfection. The closest thing to a cinematic heart swell.



I can't help but dissolve into molecules.

Thursday, September 25, 2008

"How To Be Thoroughly Modern" with Millie Lammoreaux


Set goals in life and in love...

"I plan everything I do. I figure out what it is I want and then I set out to do it. Like this apartment -- I've been decoratin' it ever since I moved in. And even if I fell in love with a guy and wanted to get married, I wouldn't move into his place. He'd have to move in with me. And even then I'd want to know everything there is to know about him. Includin' money and health."


Take pleasure in preparation...

"You can start by taking some of that cheese spread and squirtin' it in a circle on those Sociables. And then put an olive on top of each one. I made these once before and they were a real big hit."

"I'm famous for my dinner parties... We're havin' pigs in a blanket and chocolate puddin' tarts!"



Be the life of your own party...

"Do you guys know how to play Scrabble? It's a real good game - you can learn a lot of new words. My roommate's got this boyfriend who's really good at it. He knows some words I've never even heard of before. "Orator." It's in the dictionary alright. I think it's some kind of, oh, professional talker or somethin'. But the most unusual one was "zebus." You know what zebus are? The humps on a camel's back. I didn't like the guy I was with too much, though. All he wanted to do was make up dirty words. We weren't gonna play that way."

Monday, September 15, 2008

Playing Video Games with Jude Law



"That wasn't me that was my game character."


I Love My Fake Baby


I nominate My Fake Baby for Best Documentary of the Year.

It's the story of two women whose devotion to their "reborn babies" totally transcends the ridiculous. Reborn babies are ultra-realistic dolls that can mimic breathing, warmth, wriggling and heartbeats, and there's a growing British fanbase. Accordingly then this documentary is hilarious, but also so painful in its desperation that it strikes an unusual dramatic chord. When one woman presents her husband with her first Reborn acquisition -- a doll made to resemble their grandson in minute detail -- she is met with a reaction of slight concern and repulsion. Her guttural cries indicate she was expecting her husband to be just as passionate as one would be in welcoming a newborn into the family. Her actual grandchild is wise enough to set her straight, "That's a doll, you numbnuts!"

If only Christopher Guest's troupe had made this. The offbeat characters and delusional worldviews would have people rolling in the aisles just as this had me rolling in my computer chair... The only difference here is that these folks are real and so that laughter is tinged with equal parts dread and pity. There are apparently hundreds of grown British women who've taken to playing house with a hunk of finely detailed plastic. Basically it's brilliant (subtly devastating) comedy gold!

Watch it here:

First there's our reborn baby creator, Jamie, a single mom who took up the odd hobby after hunting for a realistic doll for her daughter. She skillfully paints individual veins, birthmarks, facial scratches, the works! Jamie's at the top of her craft; the Michelangelo of reborns. He used canvas whereas Jamie puts baby parts in her oven.


Jamie strolls up and down her local grocer with an empty cart, bumping into the customers, "Excuse me, would you like to buy a baby?... Come here every week and sell me babies." Watch as their utter joy melts into a shudder.


Jamie seems like a mostly stable woman who's great at what she does, and has found a ripe market in the questionably sane. It's also comforting that her daughters seem in on the joke. Yet another case of a child having significantly more sense than these adults.


Which brings us to the customer base:


Left: Sue is a woman overcome by a maternal instinct but with no desire for fussing and cleanup. Still, she individually washes the wheels on her pram (a creepier-sounding British stroller), bathes and even combs the hair of her four reborn daughters. Sue also travels to America for their "adoptions."

Right: Christina is a woman so overcome by sadness upon her grandson moving away that she replaces him with a doll replica.

Daily reminders that you're baby is actually a doll:


1) Those expensive designer bottle holders you bought are actually filled with laundry fluid, for the realistic appearance of actual milk.

2) The delivery of your baby required cardboard, packaging tape, and that reliable UPS service.

3) If your baby flies out of the car seat or loses its head, there's always a replacement online.

4) Sightseeing with your baby turns YOU into the main attraction.



With the reborn in one of her many designer prams (with detachable parasol), Sue wants to stand out on the playground. So much scary in a single image!

Sue says she's not delusional. "They're perhaps embarrassed for me because I am, perhaps, pushing a doll in a pram. But for me I don't see it like that, " she insists. "I don't see her as a baby, any of my girls. I don't see them as real babies. I know they're real dolls, I'm under no illusion. But it's just where I haven't got children, I guess there is still that female instinct in me."


The husbands are doing their best to remain supportive and oblivious. Sue's husband Terry doesn't even flinch when asked to pose in a family photo.

Of course Sue realizes why she prefers these dolls to real children, "Never grows out of her clothes, never soils them. It's just fabulous. The only difference is of course these guys don't move." Well I'm convinced it's for the best, not just because of the child's impending psychotic break, but also because of those nails!


Terry explains their lack of real kids: "The story behind that is when we was young, we decided that we would enjoy ourselves when we were young and have children later. But it's never stopped -- enjoying it. It's just we've had the holidays."

Sue elaborates, "It's too much commitment and I can't stand the noise, and I'm just so fussy really. If I could pick a child off the shelf, that would be wonderful because I could say, 'Yeah, I want one that's quiet and well behaved, and one that keeps clean.'"

The one Sue claws off the shelf is your "Average Creepy Baby":


There's also your "Ugly Baby":
The one on the right looks like Michael Keaton.


And my personal favorite: "Had a Hard Life Baby." She looks like she went from birth right into retirement.


Emmy voters where are you? Give My Fake Baby some love! If not for me, do it for the reborns and the reborns after them.

Thursday, September 11, 2008

Election Excitement with Christina Ricci


2009 and Beyond the Infinite: Part 2



A look into the films of the future.


Part 1 available here.


Dark Shadows
Release: 2010 (?)
Director: Tim Burton

The soapy sixties saga from creator Dan Curtis about time-shifting vampire Barnabas Collins and his dark legacy is always ripe to be drained of its blood. There was already the nineties' short-lived revival series, and this decade's botched teenage spin, but now it's Tim Burton's turn to revisit the Gothic mystery of Collinwood Manor. It sounds unexpectedly enticing! Naturally Johnny Depp's set for the lead, but this time it's as much about good casting as it is Burton's friendly obligation. The series had a tone of playful fantasy that can be Burton's specialty, although Big Fish and Charlie and the Chocolate Factory seemed like manufactured whimsy more than inspired streams of his imagination. See Edward Scissorhands or Beetlejuice for that. John August is writing the script and we can probably assume it will stick to the core story of Barnabas falling for the beautiful visitor Victoria Winters, who bears a striking resemblance to his long lost love Josette. It's all about witches, werewolves and Barnabas Fucking Collins! (John August is welcome to use that line in the film.) Burton's off doing his version of Alice in Wonderland first, also starring Johnny Depp, but we'll wait and see if he can recover some of that old black magic.

A natural progression.


Enter the Void
Release: 2009 (Cannes Film Festival)
Director: Gaspar Noé

If you've got a strong stomach or a substance abuse problem, this one's your golden ticket! Shocking and innovative French director Gaspar Noé (I Stand Alone) takes us on a psychedelic trip through the mind of a man on the brink of death. Noé says the film, which was recently completed in Tokyo, will be an exhaustive experience blending dreams, memory and startling streams of consciousness. He mentions his primary influence was the mind melding 2001: A Space Odyssey, which he already made direct connections to in the bold and controversial Irreversible. The trippy, "melodramatic" plot concerns a brother's efforts to save his sister while having a near death experience. It sounds radically visual with an inventive narrative, and there's no doubt Noé's got a little shock left in his system. Check out the film's striking poster art and more of Noé's thoughts here.

"Someone in here!"


Satisfaction
Release: 2009 (?)
Director: Miranda July

Me, you and everyone I know loved Miranda July's indie/performance art debut. Her follow-up is a modern romantic comedy that, according to Variety, "turns on a young couple: Jason, goes off on an ecological mission; Sophie starts an affair with an older man. Both events threaten the relationship." Some threads of the film might even connect to July's recent short story collection No One Belongs Here More Than You. Expect big heart, inoffensive quirk, and possibly some small kids chatting poetically about scat.

))<>((


Love and Other Impossible Pursuits
Release: 2009 (?)
Director: Don Roos

Am I actually looking forward to a movie starring Jennifer Lopez? To that I say, "Enough!" But then I look out the window and hell hasn't frozen over. It's just her good luck to be paired with a hilarious queer director and his perfect sardonic muse Lisa Kudrow. Don Roos, who gave us The Opposite of Sex and the undervalued Happy Endings, is back with another take on the perils and promise of modern relationships. According to the (far too spoilerish) synopsis here, the film follows an aspiring lawyer (Lopez) whose flirtation with a married senior partner (Jeffrey Dean Morgan) quickly spins into marriage, pregnancy, and dealing with a difficult stepchild. Did you just nod off? Well it takes some darker turns from there which sound like they'll definitely reap the heavy drama. It's based on a novel by Ayelet Waldman and could be more in keeping with Roos' 2000 feature Bounce. I'm not making this sound good at all... But Lisa Kudrow everybody!



Antichrist
Release: 2009
Director: Lars von Trier

Previously discussed here. While we wait on Washington and pray Nicole Kidman frees up her schedule, we get this equally drool-worthy prospect. Lars von Trier is fusing his notoriously horrifying take on humanity with a more genre-based horror. It's got a cabin in the woods, a demonic pregnancy and Willem Dafoe, all working their way under your skin. Do yourself a favor and gear up for this one by watching von Trier's miniseries spectacular The Kingdom (Riget). Because where else can you see Udo Kier's adult head emerging from a womb?

Rosemary had it easy.


Taking Woodstock
Release: 2009
Director: Ang Lee

Recently discussed here. I lust for any new Ang Lee film, devoid of caution that it could ever disappoint. (Covering my ears as you say The Hulk). Gay themes, Emile Hirsch and Jeffrey Dean Morgan! ...Oh, and something about music... or some kind of festival... maybe?

"Bring on shirtless Emile Hirsch! ...Oh, and the band. We should probably hear the band."


Margaret
Release: 2009
Director: Kenneth Lonergan

Kenneth Lonergan's second feature has been a long time coming. It was way back in 2000 that he warmed indie-loving hearts with the magnificent You Can Count On Me. Stars of that film Mark Ruffalo and Matthew Broderick (plus your standard Culkin kid) are joined by Matt Damon and Anna Paquin for this morality based drama. The film follows Lisa Cohen (Paquin), a high school student witness to a horrible traffic accident. She feels as though the tragedy may have inadvertently been her fault, and in efforts to make things right with herself she brings about complications with those around her. It sounds like another richly rewarding character piece from Lonergan, and if it's anything like his debut we can expect some wonderfully natural dialogue and subtly affecting humor.

She's too depressed to be fucking Matt Damon.


Part 3 coming soon.